Pair of Seated Greyhounds

Carrara Marble
Anglo-Italian, Late 19th Century
ALR: S00248001


Male dog: H 86,5 x W 34 x D 22 cm
H 34 x W 13 1/3 x D 8 2/3 inch
Female Dog: H 85,5 x W 34 x D 22,5 cm
H 33 2/3 x W 13 1/3 x D 8 7/8 inch


This pair of white marble statues, each depicting a greyhound, one male and one female are standing at approximately 86 cm in height. These pieces exemplify the skill and craftsmanship of Italian sculptors in the late 19th century. The greyhounds are depicted in a lifelike manner, showcasing the animals' elegance and agility, which are characteristic traits of the breed.

Greyhounds have a rich symbolic history. They have been associated with attributes such as loyalty, companionship, and fidelity. In classical mythology and Renaissance art, greyhounds were often depicted alongside gods, goddesses, and noble figures, symbolizing nobility, elegance, and swiftness.

Greyhounds have been long considered symbols of loyalty. This trait made them popular in noble households, where they were not only pets but also symbols of the household's values. Historically, greyhounds were associated with the aristocracy and were often featured in hunting scenes in art. Their presence in a household signified high social status. The physical form of the greyhound, characterized by its slender and muscular build, embodies elegance and speed. This made them ideal subjects for sculptors aiming to capture dynamic beauty and grace.

The late 19th century was a period marked by a fascination with naturalism and realism in art. Sculptors aimed to create lifelike representations, and this was particularly evident in animal sculpture. The use of white marble for these greyhound sculptures not only highlights the fine details and textures of the animals but also aligns with the classical traditions that inspired much of the art from this period.

Greyhounds were commonly featured in the works of Renaissance artists. For example, Giambologna’s "Greyhound" (late 16th century) demonstrates the elegance and precision in capturing the animal’s form. In the 18th and early 19th centuries, greyhounds were popular subjects in Neoclassical art. Sculptors like Antonio Canova often included greyhounds in their works to convey themes of nobility and purity.