Offered by Antichità Castelbarco
The Annunciation
Alessandro Allori (Florence, 1535 - Florence, 1607) circle of
Oil on canvas
69 x 87 cm.
Framed cm. 82 x 100
Splendid canvas celebrating the theme of the Annunciation, the moment when the Archangel Gabriel brings Mary the news that she will give birth to the Son of God, according to a type very much in vogue in the 16th and 17th centuries.
On the left, the Archangel Gabriel is depicted with his hands crossed to his chest, caught at the moment of the supreme announcement, his eyes half-closed in an attitude of devotion. Before him is portrayed the maiden Virgin, seated on a throne-like chair, as she turns her gaze upward toward the dove of the Holy Spirit.
A diagonal ray of light unites her gaze with God the Father, in the upper left corner, on which is imprinted, as if in a mirror, the Latin locution 'Ecce ancilla Domini' (behold the handmaid of the Lord), or the Virgin's response to the announcement.
The canvas shows us an excellent quality of execution, enhanced by the gold trim of the haloes framing the faces. The painter emphasizes the beauty of the Virgin, interpreted as an ethereal woman, characterized by the whiteness of her complexion.
Great attention was paid to details, such as the wooden throne all decorated with geometric motifs, with a lace curtain on top, probably worked in bobbin lace, and on the floor a beautiful carpet.
The work draws its inspiration from the well-known fresco in Florence's Basilica dell'Annunziata, executed around 1250, with stylistic features that place it without hesitation in the Florentine figurative culture of the mid-17th century: more precisely, we can look for its author in the circle of the Florentine Alessandro Allori.
The painter, like many Florentine artists of his time, made several copies of the fresco, whole or partial, commissioned by the grand ducal family and Florentine nobles as objects of private devotion or gifts to be sent to eminent personalities.
Delevery information :
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