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The sacrifice of Marsyas by the god Apollo in marble, Venice early 18th century
The sacrifice of Marsyas by the god Apollo in marble, Venice early 18th century - Sculpture Style Louis XIV The sacrifice of Marsyas by the god Apollo in marble, Venice early 18th century -
Ref : 114579
12 500 €
Period :
18th century
Provenance :
Italy
Medium :
Marble
Dimensions :
l. 11.81 inch X H. 8.27 inch X P. 1.18 inch
Sculpture  - The sacrifice of Marsyas by the god Apollo in marble, Venice early 18th century 18th century - The sacrifice of Marsyas by the god Apollo in marble, Venice early 18th century
Galerie Sismann

European old master sculpture


+33 (0)1 42 97 47 71
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The sacrifice of Marsyas by the god Apollo in marble, Venice early 18th century

This marble relief vividly illustrates the sacrifice of Marsyas by the god Apollo.
From Greek mythology, this episode tells the tragic story of a satyr, Marsyas, and his confrontation with the god Apollo.
A skilled musician, Marsyas one day discovered a flute abandoned by the goddess Athena, who, disappointed by the unsightly effect it produced on her face when she played it, decided to get rid of it. Marsyas became a master of the instrument and, carried away by his talent, dared to challenge Apollo, the god of music and poetry, to a musical contest. The two musicians engaged in a fierce joust. Marsyas played the flute while Apollo played the lyre. King Midas initially declared Marsyas the winner, but then changed his mind and proclaimed Apollo the overall winner. In retaliation, to punish Marsyas for his arrogance, Apollo inflicted a cruel punishment on the satyr: he tied him to a tree and had him flayed alive. This ordeal demonstrates the serious consequences of excess and pride in the face of the gods, known in Greek as hybris. This violent and poignant legend illustrates the contrast between divine inspiration and human talent, and reminds us of the dangers of pretension and defiance of higher powers.
Based on an engraving by Giovanni Antonio Rusconi published in Venice in 1553, this work displays all the drama and expressiveness of the Venetian Baroque. The profile of the central figure is reminiscent of the medallions of famous kings sculpted by Giovanni Bonazza and now partly preserved in Mantua. These comparisons enable us to situate the creation of our rare bas-relief at the very beginning of the 18th century, in the wake of the Master.

Galerie Sismann

CATALOGUE

Marble Sculpture Louis XIV