Georges Van Zevenberghen (1877 – 1968) - Judgment of Paris

Georges Van Zevenberghen
Brussels 1877 – 1968
Belgian Painter

'Judgment of Paris'

Signature: Signed bottom left and dated 37
Dimensions: Image size 50 x 60 cm, frame size 68 x 79 cm
Medium: Oil on canvas

Biography: Van Zevenberghen Georges, born in 1877 in Sint-Jans-Molenbeek, Brussels, was a renowned intimistic, realistic, and post-impressionist painter celebrated for his portraits, genre scenes, landscapes, still lifes, nudes, figures, and interiors. His artistic versatility extended to watercolors, showcasing his diverse talent and profound sensitivity to his subjects.

Georges' formal artistic journey began at the Academies of Molenbeek-Saint-Jean (1895-96) and Brussels (1899-1900), where his exceptional skills and dedication eventually led him to a teaching position (1933-48). Under the mentorship of Jan Stobbaerts, Georges developed a unique style that harmonized his realistic approach with the subtle nuances of intimism and post-impressionism. Stobbaerts' influence is evident in Georges' meticulous attention to detail and his ability to capture the essence of everyday life.

In 1903, Georges moved to Paris for the first time, a pivotal experience that broadened his artistic horizons. That same year, he exhibited his work at the Triennial Salon in Brussels, gaining early recognition for his talent. A significant moment in his personal and professional life occurred in 1909 when he formed a lasting friendship with fellow artist G. Charlier. This bond enriched Georges' artistic community and fostered collaborations and shared inspirations.

Georges' adventurous spirit and love for art took him on a memorable journey through France in 1926 with a group of artist friends, including V. De Saedeleer, A. Oleffe, Ph. Cockx, H. Thomas, and R. Janssens. This expedition allowed him to immerse himself in the diverse landscapes and cultural milieu of France, further influencing his artistic output.

Throughout his career, Georges was an active member of several prestigious art groups, such as "Labeur" and "Pour L’Art," and in 1946, he was inducted into the "Belgian Royal Academy." His contributions to the art world were recognized in 1932 when he was awarded the Prix Emile Sacré, cementing his reputation as a leading figure in Belgian art.

Georges was also married to Georgette Iserbyt, initially one of his pupils, illustrating the deep personal connections that intertwined with his professional life. Their relationship added a layer of intimacy and mutual inspiration to his work, evident in the delicate and evocative quality of his paintings.

Van Zevenberghen Georges passed away in 1968 in Brussels, leaving behind a rich legacy of artwork that continues to be celebrated in various museums, including those in Antwerp, Brussels, Mons, the Charlier-Museum in Sint-Joost-ten-Node, Riga, and Barcelona.

Literature:
G. PAS, ‘Biografisch lexicon plastische kunst in België’, Arto 2000,
PIRON, ‘De Belgische Beeldende Kunstenaars uit de 19de en 20ste eeuw’, Uitgeverij Art in Belgium, p. 1490.