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Landscape with bridge and cow - Adolphe Appian (1818-1898)
Landscape with bridge and cow - Adolphe Appian (1818-1898) - Paintings & Drawings Style Landscape with bridge and cow - Adolphe Appian (1818-1898) - Landscape with bridge and cow - Adolphe Appian (1818-1898) - Antiquités - Landscape with bridge and cow - Adolphe Appian (1818-1898)
Ref : 117579
4 300 €
Period :
19th century
Artist :
Adolphe Appian (1818-1898)
Provenance :
France
Medium :
Oil on canvas
Dimensions :
L. 23.82 inch
Paintings & Drawings  - Landscape with bridge and cow - Adolphe Appian (1818-1898) 19th century - Landscape with bridge and cow - Adolphe Appian (1818-1898)  - Landscape with bridge and cow - Adolphe Appian (1818-1898) Antiquités - Landscape with bridge and cow - Adolphe Appian (1818-1898)
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Landscape with bridge and cow - Adolphe Appian (1818-1898)

Landscape with bridge and cow CERVEYRIEU in the Ain area
Oil on canvas signed lower right

Nice framed
36 x 60.5 cm
Some cracks

Adolphe Appian studied under François Grobon and Augustin Thierriat at the École des Beaux-Arts in Lyon before making his debut at the Paris Salon in 1835. He then exhibited in Lyon in 1847 and in Paris in 1855, becoming a regular at both Salons, where he received a gold medal in Paris in 1868. His career was enriched by international distinctions, including an honorable mention at the Universal Exhibition in Paris in 1889, after having participated in the London Exhibition in 1862. In 1892, he was made a Knight of the Legion of Honor. Among his major works is Rives de l'Ain, a large decorative panel made for the staircase of the Rhône prefecture in Lyon. Initially a musician, Appian chose to devote himself fully to the visual arts in 1852, a decisive year marked by his meeting with Corot and Daubigny, who would profoundly influence his work. He also spent a lot of time in Fontainebleau, where he painted alongside artists from the Barbizon School. Appian excelled in the art of charcoal, adopting a predilection for backlit scenes and subtle plays of light and shadow. With the discovery of Mediterranean light, his palette lightened, his colors became fresher, and his technique evolved towards a more fluid touch, showing the influence of his friend Félix Ziem.

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L'orfèvrerie lyonnaise

CATALOGUE

19th Century Oil Painting