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Esther and Ahasuerus, Venetian School. 17th century
Esther and Ahasuerus, Venetian School. 17th century - Paintings & Drawings Style Louis XIV Esther and Ahasuerus, Venetian School. 17th century - Esther and Ahasuerus, Venetian School. 17th century - Louis XIV Antiquités - Esther and Ahasuerus, Venetian School. 17th century
Ref : 115582
8 000 €
Period :
17th century
Provenance :
North Italy
Medium :
Oil on canvas
Dimensions :
l. 90.55 inch X H. 62.99 inch
Paintings & Drawings  - Esther and Ahasuerus, Venetian School. 17th century 17th century - Esther and Ahasuerus, Venetian School. 17th century Louis XIV - Esther and Ahasuerus, Venetian School. 17th century Antiquités - Esther and Ahasuerus, Venetian School. 17th century
Antichità di Alina

XVIth to mid XXth centuries Paintings


+39 3383199131
Esther and Ahasuerus, Venetian School. 17th century

Esther and Ahasuerus, Venetian School and Circle of Antonio Fumiani, 17th Century

This large oil on canvas (230 x 160 cm) depicts one of the most dramatic episodes from the Bible: Esther, risking her life by appearing before King Ahasuerus uninvited, pleads for mercy to save her people. Her pale complexion and expressive gestures amplify the tension of the scene, which seems to echo the theatricality of dramatic or operatic performances, a significant element in Venetian culture of the 17th century.

The painting demonstrates remarkable attention to detail, particularly in the fabrics and decorations. Esther wears a deep blue robe adorned with golden embroidery, complemented by a richly draped red velvet mantle. King Ahasuerus, seated on an ornate throne, is dressed in a regal purple mantle with gold edging, emphasizing his authority. Delicate details, such as pearls and intricate embroidery on Esther’s robe, further enhance the sophistication of the work.

A distinctive feature of the painting is the kneeling putto in the lower left, holding the Doge’s hat, a clear reference to the Serenissima Republic of Venice. This element suggests a connection between the biblical story and a historical or celebratory Venetian event, adding cultural and historical depth to the composition.

The color palette, dominated by deep blues, vibrant reds, and radiant golds, creates a harmonious and visually striking composition. The light is skillfully used to highlight the central figures and key details, such as the ornaments on the throne and the golden embroidery.

This painting belongs to the circle of Antonio Fumiani (1645–1710), a Venetian painter known for his theatrical and monumental style. Fumiani was celebrated for his ability to create grand narrative spaces, characterized by expressive gestures and expert use of light and shadow to heighten the drama. These features, along with his attention to textures and scenographic compositions, are evident in this work.

The painting shows signs of earlier restorations, visible in some areas, while others retain excellent legibility. The pigments and brushwork reflect the skill of an accomplished artist and a high level of technical expertise. Despite the passage of time, the painting preserves its strong narrative power and monumental presence, embodying the theatricality of Venetian Baroque art.

Dimensions: 230 x 160 cm
Technique: Oil on canvas. Relined.

Antichità di Alina

CATALOGUE

17th Century Oil Painting Louis XIV