Presumed Portrait of Amalia von Solms, Dutch School of the 17th century

Presumed Portrait of Amalia von Solms
Circle de Michiel Jansz VAN MIEREVELD (1567-1641).

Technique: Oil on copper
Dimensions: L 11.3 cm x H 14.8 cm (with frame)
Dutch School
Dating: Circa 1625-1630

This elegant portrait captures a noblewoman in an intricately adorned gown with a lace collar and a geometric brooch, embodying the refined style of early 17th-century Dutch portraiture.

The sitter is believed to be Amalia von Solms (1602-1675), Princess of Orange. Originally a lady-in-waiting, Amalia married Frederick Henry, Prince of Orange, in 1625 and rose to prominence as a political figure, instrumental in securing powerful alliances through her children’s marriages. Known for her diplomatic skill, she played a significant role in consolidating the influence of the House of Orange-Nassau.

The attention to detail in lace, jewelry, and facial expression points to the Circle of Michiel Jansz van Miereveld, a prominent portraitist who captured the dignity of the Dutch elite. Van Miereveld’s workshop was prolific, producing portraits for high society in a formal yet realistic style, with pieces created at a rapid pace with assistance from his family and students. His portraits are characterized by precise compositions and subtle detailing in luxurious attire.

Notable Portraits:
- Maurits van Nassau, Prince of Orange (1567-1625)
- Frederick Henry, Prince of Orange (1584-1647)
- Amalia von Solms, Princess of Orange (1602-1675)
- Elizabeth Stuart, Queen of Bohemia (1596-1662)