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Seated Faun,  Italy Early 17th Century
Seated Faun,  Italy Early 17th Century - Sculpture Style Seated Faun,  Italy Early 17th Century - Seated Faun,  Italy Early 17th Century -
Ref : 115134
4 800 €
Period :
17th century
Provenance :
France
Medium :
Bronze
Dimensions :
H. 12.6 inch
Weight :
4 Kg
Sculpture  - Seated Faun,  Italy Early 17th Century 17th century - Seated Faun,  Italy Early 17th Century  - Seated Faun,  Italy Early 17th Century
Poncelin de Raucourt Fine Arts

Paintings and drawings, from 16th to 19th century


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Seated Faun, Italy Early 17th Century

Unknown Artist (Italy, early 17th century)
Seated Faun

Bronze on a marble base (later), 32 cm in height

Provenance:
Private collection

This bronze depicts a faun, a mythological figure from ancient Rome, often associated with nature and fertility, embodying both human and animal attributes. The faun is portrayed here in a dynamic posture, seated on a marble base, which, though added later, enhances the sculptural dimension of the piece. His muscular and tense body seems to capture a moment of jubilation or exuberant pleasure, as evidenced by his upturned face and open mouth in an ecstatic smile. This expressive gesture, along with the casual positioning of his raised arm behind his head, evokes the freedom and hedonism traditionally associated with these mythological creatures.

The quality of the bronze craftsmanship is remarkable, particularly in the muscular details and the expressiveness of the face, signs of technical mastery typical of late Renaissance and early Baroque Italian sculpture. The faun's legs are muscular but also marked by hooves, emphasizing his hybrid nature, half-human and half-animal. This hybridity reflects an iconographic tradition in which fauns are often associated with debauchery and wild living, removed from human society.

17th century Italy, particularly Rome and Florence, was a hub of prolific artistic production, with artists such as Gian Lorenzo Bernini and Alessandro Algardi dominating the sculptural scene. Bronze was a favored material for its durability and expressive potential, and this work is a typical example. Although the author of this faun remains anonymous, the piece follows in the tradition of these Italian Baroque sculptors, where emotion, movement, and expressiveness were central elements of sculptural composition.

Due to its modest scale and mythological subject, this work could have served as a decorative object in an aristocratic villa, illustrating both the owner's erudition and their taste for artistic forms celebrating antiquity and its myths.

Poncelin de Raucourt Fine Arts

CATALOGUE

Bronze Sculpture