Kapati textile - Epoque Byzantine; 4th–5th Century C.E.?

Kapati Textile?
Byzantine Period; 4th–5th Century C.E.?
Materials: Plant and Animal Fibers, Wool

This woolen fabric is woven in the traditional Coptic Kapati style, characteristic of Egypt during the Christian era. The name "Kapati" refers to the Copts of Egypt and describes a weaving technique that does not use embroidery or printing. It is said that Al-Muqawqis, the governor of Egypt, offered the Prophet garments made from Kapati fabric.
At the 1900 Exposition Universelle in Paris, the French archaeologist Albert Gayet showcased the results of his excavations from the winter of 1898-1899. Around one hundred Coptic textiles and fragments were displayed at the Palais du Costume. Their aesthetic generated considerable enthusiasm, particularly among artists like Auguste Rodin and Henri Matisse. This led to a "Coptomania," which, among other things, influenced fashion designers.
The square fragment features black decoration on a beige background; the two squares at the center are separated by scalloped edges, from which hang various ornaments or geometric motifs. At the center of the fragment is an image of a dancing figure surrounded by geometric decorations. This piece dates back to a time when ancient pagan themes were prevalent, roughly from the mid-3rd century to about the mid-4th century C.E.
Many authors, including Herodotus and Plutarch, noted that the Egyptians held a certain aversion to wool garments, considering them impure due to the climate's heat. However, during the Greco-Roman period and later in the Byzantine era, the use of high-quality wool became widespread, particularly because Coptic weavers adorned shirts and cloaks with wool embellishments.
A very similar fabric is preserved at the Bibliotheca Alexandrina (number "BAAM" 0917; Inv. (Coptic Museum) 1890).