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Still life with pumpkin - Pieter Willem Romenij  (1830-1898)
Still life with pumpkin - Pieter Willem Romenij  (1830-1898) - Paintings & Drawings Style Still life with pumpkin - Pieter Willem Romenij  (1830-1898) - Still life with pumpkin - Pieter Willem Romenij  (1830-1898) - Antiquités - Still life with pumpkin - Pieter Willem Romenij  (1830-1898)
Ref : 113948
16 500 €
Period :
19th century
Artist :
Pieter Willem Romenij (1830-1898)
Provenance :
The Netherlands
Medium :
Oil on pannel
Dimensions :
L. 29.92 inch X H. 23.23 inch X P. 2.36 inch
Paintings & Drawings  - Still life with pumpkin - Pieter Willem Romenij  (1830-1898) 19th century - Still life with pumpkin - Pieter Willem Romenij  (1830-1898)  - Still life with pumpkin - Pieter Willem Romenij  (1830-1898) Antiquités - Still life with pumpkin - Pieter Willem Romenij  (1830-1898)
Chastelain & Butes

19th and early 20th-century paintings and sculpture


+32477427471
Still life with pumpkin - Pieter Willem Romenij (1830-1898)

This still life by Pieter Willem Romenij shows a detailed composition of fruit and vegetables. Central to the painting is a raw, green pumpkin surrounded by bunches of grapes, peaches and leaves. The textures of the fruit and leaves are painted with a high degree of precision and realism, emphasising the natural beauty of the subjects.
In Relation to His Biography
Pieter Willem Romenij, born in Zwolle in 1830, was a Dutch painter and draughtsman known for his realistic and detailed works. This still life reflects his mastery in capturing the realistic details of natural objects, a characteristic that typifies his entire oeuvre. His accurate rendering of textures and subtle use of colour in this painting shows his skill and dedication to realism, which earned him a respected place in the Dutch art world. Romenij died in 1898, but his works, such as this still life, remain a testament to his artistic talent and accurate powers of observation.
Romenij's extraordinary precision in rendering textures and details of fruits and leaves shows his technical mastery. Every drop of water, every shadow, and every surface is rendered with care and realism.

The subtle play of light and shadow adds depth and dimension to the work, making the objects seem almost tangible.
The balanced composition and harmonious use of colour create a visually appealing and balanced whole.
The still life evokes a sense of timelessness and impermanence, themes often explored in art. The natural beauty of the fruit symbolises abundance and the cycle of life.
These elements together make this painting a masterpiece, highlighting not only Romenij's skills as an artist, but also his ability to convey emotion and meaning through still life.
Given Romenij's background and movements throughout his career, several influences likely played a role in shaping his style. His attention to detail and use of light can be linked to his exposure to Dutch Golden Age painting, particularly the works of Still Life Masters such as Willem Heda and Jan Davidsz de Heem, who were known for their detailed depictions of still lifes and mastery of texture and light. The presence of both natural elements and the play of light in Romenij's work strongly echoes the legacy of these earlier Dutch masters.

Biography

Pieter Willem Romenij, born on May 7, 1830, in Zwolle, is a notable figure in 19th-century Dutch art, renowned for his detailed and realistic approach to painting and drawing. His works spanned a variety of subjects, including portraits, landscapes, and still lifes, showcasing his technical skill and dedication to realism. Romenij passed away on June 25, 1898, in Arnhem, leaving a legacy that continues to be appreciated within Dutch art history.
Artistic Career and Geographic Influence:
Romenij's artistic journey took him across multiple cities, which contributed to his diverse stylistic development. He began his career in his hometown of Zwolle, where he worked from 1845 to 1856. His early years in Zwolle laid the foundation for his artistic growth before he moved on to other prominent artistic centers in Europe. In 1854, Romenij spent time in Antwerp, a city known for its rich art traditions, where he likely encountered new influences that expanded his artistic repertoire.
From The Hague to Leiden and Brussels, Romenij’s work evolved as he absorbed different artistic styles prevalent in these cities. His time in The Hague (1856-1857) was followed by a period in Leiden (1857-1858), and later, Brussels (1858-1859), exposing him to a broader European art scene. These experiences helped Romenij refine his technique and gain recognition beyond the Netherlands.
By the late 1860s, Romenij spent significant time in Amsterdam (1867-1870), a city that provided a stimulating environment for artists due to its vibrant cultural scene. However, it was in Wageningen, where he lived from 1870 to 1896, that he produced some of his most mature works. His final years were spent in Arnhem, where he continued his work until his death in 1898.
Alternative Names:
Throughout his life, Romenij was also known by alternative spellings of his surname, such as Pieter Willem Romeny, which occasionally appears in records. This variation in name likely reflects historical spelling differences and may appear in different art catalogs or exhibitions.
Exhibitions and Legacy:
Romenij’s works were regularly exhibited in the Netherlands and received positive acclaim from both private collectors and institutions. His detailed and lifelike depictions remain valuable in the study of 19th-century Dutch art. His contribution to Dutch realism, characterized by precision and vividness, places him among the respected artists of his time. His oeuvre provides crucial insights into the aesthetic and technical developments of his era, and continues to inspire art historians and collectors alike.

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CATALOGUE

19th Century Oil Painting