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Still life painting with bird and bee - Pieter Willem Romenij  (1830-1898)
Still life painting with bird and bee - Pieter Willem Romenij  (1830-1898) - Paintings & Drawings Style Still life painting with bird and bee - Pieter Willem Romenij  (1830-1898) - Still life painting with bird and bee - Pieter Willem Romenij  (1830-1898) - Antiquités - Still life painting with bird and bee - Pieter Willem Romenij  (1830-1898)
Ref : 113944
24 500 €
Period :
19th century
Artist :
P.W. Romenij
Provenance :
The Netherlands
Medium :
Oil on panel
Dimensions :
L. 22.83 inch X H. 28.35 inch X P. 2.36 inch
Paintings & Drawings  - Still life painting with bird and bee - Pieter Willem Romenij  (1830-1898) 19th century - Still life painting with bird and bee - Pieter Willem Romenij  (1830-1898)  - Still life painting with bird and bee - Pieter Willem Romenij  (1830-1898) Antiquités - Still life painting with bird and bee - Pieter Willem Romenij  (1830-1898)
Chastelain & Butes

19th and early 20th-century paintings and sculpture


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Still life painting with bird and bee - Pieter Willem Romenij (1830-1898)

This still life painting by Pieter Willem Romenij reflects his remarkable attention to detail and commitment to realism, both of which were characteristic of his work throughout his career. This particular piece showcases a beautifully composed arrangement of fruits, leaves, and a bird, which come together to create a vivid, lifelike scene.
The composition is a classic still life, featuring an assortment of fruits such as grapes, peaches, plums, and an orange that has been partly peeled. The fruits are placed on a marble-like surface, with vines and leaves gracefully draping around them. A small bird perches on the vine, pecking at the grapes, adding a dynamic and natural element to the otherwise static arrangement. The inclusion of insects, like the butterfly and the fly hovering nearby, adds another layer of realism and brings the composition to life. The meticulous rendering of each element, from the texture of the grapes to the detailed veins of the leaves, is a testament to Romenij’s precision and technical skill.
Romenij’s use of color is both rich and subtle. The fruits are depicted in soft, natural tones: the warm blush of the peaches, the deep purples of the grapes, and the muted greens of the leaves. The lighting in the painting appears soft and diffused, which enhances the realism of the textures while giving the objects a luminous quality. Romenij uses subtle gradations of light and shadow to give the fruit a three-dimensional feel, making them appear tangible and ripe. The painter’s mastery of light is also evident in the gentle sheen on the grapes and the reflective surface of the marble, further contributing to the overall realism of the work.
Given Romenij's background and movements throughout his career, several influences likely played a role in shaping his style. His attention to detail and use of light can be linked to his exposure to Dutch Golden Age painting, particularly the works of Still Life Masters such as Willem Heda and Jan Davidsz de Heem, who were known for their detailed depictions of still lifes and mastery of texture and light. The presence of both natural elements and the play of light in Romenij's work strongly echoes the legacy of these earlier Dutch masters.

Biography

Pieter Willem Romenij, born on May 7, 1830, in Zwolle, is a notable figure in 19th-century Dutch art, renowned for his detailed and realistic approach to painting and drawing. His works spanned a variety of subjects, including portraits, landscapes, and still lifes, showcasing his technical skill and dedication to realism. Romenij passed away on June 25, 1898, in Arnhem, leaving a legacy that continues to be appreciated within Dutch art history.
Artistic Career and Geographic Influence:
Romenij's artistic journey took him across multiple cities, which contributed to his diverse stylistic development. He began his career in his hometown of Zwolle, where he worked from 1845 to 1856. His early years in Zwolle laid the foundation for his artistic growth before he moved on to other prominent artistic centers in Europe. In 1854, Romenij spent time in Antwerp, a city known for its rich art traditions, where he likely encountered new influences that expanded his artistic repertoire.
From The Hague to Leiden and Brussels, Romenij’s work evolved as he absorbed different artistic styles prevalent in these cities. His time in The Hague (1856-1857) was followed by a period in Leiden (1857-1858), and later, Brussels (1858-1859), exposing him to a broader European art scene. These experiences helped Romenij refine his technique and gain recognition beyond the Netherlands.
By the late 1860s, Romenij spent significant time in Amsterdam (1867-1870), a city that provided a stimulating environment for artists due to its vibrant cultural scene. However, it was in Wageningen, where he lived from 1870 to 1896, that he produced some of his most mature works. His final years were spent in Arnhem, where he continued his work until his death in 1898.
Alternative Names:
Throughout his life, Romenij was also known by alternative spellings of his surname, such as Pieter Willem Romeny, which occasionally appears in records. This variation in name likely reflects historical spelling differences and may appear in different art catalogs or exhibitions.
Exhibitions and Legacy:
Romenij’s works were regularly exhibited in the Netherlands and received positive acclaim from both private collectors and institutions. His detailed and lifelike depictions remain valuable in the study of 19th-century Dutch art. His contribution to Dutch realism, characterized by precision and vividness, places him among the respected artists of his time. His oeuvre provides crucial insights into the aesthetic and technical developments of his era and continues to inspire art historians and collectors alike.

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CATALOGUE

19th Century Oil Painting