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View of Afsnee by Fritz Van Loo (1871-1957)
View of Afsnee by Fritz Van Loo (1871-1957) - Paintings & Drawings Style View of Afsnee by Fritz Van Loo (1871-1957) - View of Afsnee by Fritz Van Loo (1871-1957) - Antiquités - View of Afsnee by Fritz Van Loo (1871-1957)
Ref : 113824
3 200 €
Period :
20th century
Artist :
Fritz Van Loo (1871-1957)
Provenance :
Belgium
Medium :
Oil on Canvas
Dimensions :
l. 23.62 inch X H. 27.56 inch X P. 1.97 inch
Paintings & Drawings  - View of Afsnee by Fritz Van Loo (1871-1957) 20th century - View of Afsnee by Fritz Van Loo (1871-1957)  - View of Afsnee by Fritz Van Loo (1871-1957) Antiquités - View of Afsnee by Fritz Van Loo (1871-1957)
Chastelain & Butes

19th and early 20th-century paintings and sculpture


+32477427471
View of Afsnee by Fritz Van Loo (1871-1957)

Fritz Van Loo's "View of Afsnee" is a beautiful example of post-impressionist landscape painting, deeply influenced by the luminism of Emile Claus. The painting captures the serene beauty of the Belgian countryside through its vibrant use of colour, skilled depiction of light and shadow, and fluid, impressionistic brushwork. This work showcases Van Loo's artistic talent and highlights the enduring impact of Claus’s luminist approach on Belgian art.
The painting depicts a serene landscape view of Afsnee, a village near Ghent, Belgium. The scene features a line of tall trees along a riverbank, leading the viewer's eye into the distance, where the landscape opens up into fields. The foreground prominently features the reflective surface of the river, capturing the ripples and reflections of the trees and sky. The midground is dominated by a lush line of trees that stand tall and dense, creating a natural barrier between the river and the fields beyond. The background consists of open fields bathed in sunlight, dotted with more trees and possibly some agricultural activity, suggesting a peaceful, rural setting.
Van Loo uses a vibrant yet harmonious palette dominated by greens, blues, and yellows. The greens of the trees and fields contrast beautifully with the blues of the river and the sky. The painting captures the effects of natural light brilliantly. The sunlit fields are depicted with lighter, warmer colors, while the shaded areas of the trees are rendered in deeper greens and blues. The play of light and shadow adds depth and dimension to the scene. The reflections in the water are carefully painted, with subtle variations in colour and texture, to mimic the natural distortion caused by the water's surface.
Van Loo’s brushwork is both detailed and fluid, particularly in the foliage and the water. The trees are rendered with a mix of short, precise strokes and broader, sweeping ones to capture the texture and movement of the leaves. The loose brushwork and the focus on light and colour demonstrate a clear influence of Impressionism, a style that emphasizes capturing the momentary effects of light and atmosphere.
Artistic Context and Influence of Emile Claus:
Van Loo and Claus were friends and sometimes painted together, Emile Claus, greatly influenced Fritz Van Loo. Claus's work is characterized by a focus on light and its effects on the landscape, often using a bright, vibrant palette. This influence is evident in Van Loo's "View of Afsnee," where the interplay of light and colour is central to the composition. Both artists frequently depicted rural and natural scenes, capturing the idyllic beauty of the Belgian countryside. Van Loo’s choice of a tranquil, light-filled landscape reflects Claus’s thematic focus on the harmonious interaction between nature and light. Claus's technique of using dappled light and broken brushstrokes to create a luminous effect can be seen in Van Loo's handling of the trees and water. The painting's impressionistic style, with its emphasis on capturing the transient effects of light, aligns with Claus’s approach.

Biography of Fritz Van Loo
Early Life and Education: Fritz Van Loo, born in 1871 in Ghent, Belgium, was a prominent Belgian painter known for his post-impressionist style. He studied at the Royal Academy of Fine Arts in Ghent, where he was a pupil of Louis Tytgadt and Jean Joseph Delvin. His education at this prestigious institution laid the foundation for his career in the arts.
Career and Style: Van Loo specialized in painting portraits, interiors, and landscapes. His works are characterized by a post-impressionist approach, where he employed vibrant colors and expressive brushstrokes to capture the essence of his subjects. Van Loo’s dedication to his craft led him to become the conservator of the Academy from 1921 until 1936, where he influenced many young artists and contributed to the art community in Ghent.
Notable Works and Exhibitions: Throughout his career, Fritz Van Loo produced numerous noteworthy pieces. His works are part of various collections, including the Museum of Fine Arts in Ghent. Some of his notable paintings include "Portrait of Suzanne Bergmans, the Artist's Wife," "Laarne Castle," and "Farmhouse."
Legacy: Fritz Van Loo passed away in 1957, leaving behind a rich legacy of artistic contributions. His paintings continue to be appreciated for their vibrant depiction of everyday scenes and his unique post-impressionist style.

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20th Century Oil Painting