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Two-door sideboard in solid walnut  - Giuseppe Rivadoss  &  Madia Pacher
Two-door sideboard in solid walnut  - Giuseppe Rivadoss  &  Madia Pacher - Furniture Style Two-door sideboard in solid walnut  - Giuseppe Rivadoss  &  Madia Pacher - Two-door sideboard in solid walnut  - Giuseppe Rivadoss  &  Madia Pacher - Antiquités - Two-door sideboard in solid walnut  - Giuseppe Rivadoss  &  Madia Pacher
Ref : 110294
SOLD
Period :
20th century
Artist :
Giuseppe Rivadossi
Provenance :
Italy
Medium :
Walnut wood
Dimensions :
L. 43.31 inch X H. 41.73 inch X P. 16.54 inch
Furniture  - Two-door sideboard in solid walnut  - Giuseppe Rivadoss  &  Madia Pacher 20th century - Two-door sideboard in solid walnut  - Giuseppe Rivadoss  &  Madia Pacher  - Two-door sideboard in solid walnut  - Giuseppe Rivadoss  &  Madia Pacher Antiquités - Two-door sideboard in solid walnut  - Giuseppe Rivadoss  &  Madia Pacher
Antichità Santa Giulia

Haute epoque, design


+39 3356166605
Two-door sideboard in solid walnut - Giuseppe Rivadoss & Madia Pacher

Madia Pacher, 2015

in walnut wood

106 x 110 x 42 cm

Two-door sideboard in solid walnut worked against the grain.
The asymmetric shape of the upper surface and the type of workmanship, which gives particular emphasis and "movement" to the wood grain, make this piece of furniture truly fascinating.


Having inherited his interest in art from his father Clemente, Rivadossi officially began his artistic career in the sixties, approaching the study of furniture and sculpture in wood, plaster, terracotta and bronze.
There are therefore many materials used in his creations, always inspired by man, by his values and by "living by him.


Giuseppe Rivadossi says:

I have seen woodworking since I was a child.

Until the 1960s, where I now live, the relationship between man and nature, man and nature, was still based on an ancient ethic.
Then industry arrived and with it the looting began.
The hope of a less harsh life soon turned into a bitter realization.
The new technology that was only supposed to be a more perfected tool turned out to be an instrument of frustration and general disintegration.
In this situation I feel more and more deeply the need to express that sense of underlying unity of existence, as a basic idea not to be lost or rediscovered at all costs every day and in everything.
Now these images, these sculptures and these pieces of furniture arise from the depths of my experience like a song, of that hope and of that only alternative that lies before us rather than of nostalgia for the past.

Antichità Santa Giulia

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