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Pair Of Angels With Floral Garland, Workshop of Carlo Maratta (1625 -1713)
Pair Of Angels With Floral Garland, Workshop of Carlo Maratta (1625 -1713) - Paintings & Drawings Style Louis XIV Pair Of Angels With Floral Garland, Workshop of Carlo Maratta (1625 -1713) - Pair Of Angels With Floral Garland, Workshop of Carlo Maratta (1625 -1713) - Louis XIV Antiquités - Pair Of Angels With Floral Garland, Workshop of Carlo Maratta (1625 -1713)
Ref : 107317
7 900 €
Period :
17th century
Provenance :
Italy
Medium :
Oil on the table
Dimensions :
l. 37.4 inch X H. 41.34 inch
Paintings & Drawings  - Pair Of Angels With Floral Garland, Workshop of Carlo Maratta (1625 -1713) 17th century - Pair Of Angels With Floral Garland, Workshop of Carlo Maratta (1625 -1713) Louis XIV - Pair Of Angels With Floral Garland, Workshop of Carlo Maratta (1625 -1713) Antiquités - Pair Of Angels With Floral Garland, Workshop of Carlo Maratta (1625 -1713)
Antichità Castelbarco

Old master paintings


+39 333 2679466
Pair Of Angels With Floral Garland, Workshop of Carlo Maratta (1625 -1713)

Pair of angels with floral garland and cartouche with family motto 'Pulchriora latent'
Workshop of Carlo Maratta (Camerano, 1625 - Rome, 1713)

Dated on parchment, right: 1697
oil on the table (94 x 84cm./ in frame 105 x 95 cm.)

All the details relating to this painting can be viewed at the following - LINK -

This magnificent composition, depicting two little fluttering cupids intent on holding up a garland of flowers, can be traced back, both for the stylistic characteristics and for the compositional taste, to a master active in the fervid seventeenth-century Baroque Rome.

One of the two cupids is about to grab the bow of the garland with his head facing downwards, while with the other hand he shows a parchment which bears, in addition to the date of execution, the Latin expression "Pulchriora latent" ("The the most beautiful things are hidden"), which could probably recall the motto of the commissioning family. A second winged putto, perched on a cloud, watches the scene clutching the other end of the garland, richly decorated with various types of flowers, enriching the composition with a piece of still life of excellent quality.

The iconography that sees putti with flowers represented is frequent in the Baroque period, especially in Rome, congenial to the new bourgeois class, who wanted more illusionistic and frivolous images for their residences, and therefore aspired to a type of paintings with a strong decorative value , depicting jubilation of cherubs, angels or cherubs, and of which our table represents an emblematic example.

Going into the detail of the composition, his design invention as well as the stupendous lighting and chromatic effects lead us to link his authorship to the inventive flair of the workshop of Carlo Maratta (1625 - 1713). Note how the soft roundness of the playful cherubs, the brushstroke that defines the flowing hair and their soft complexions, are characteristic elements of his art.

In particular, it is useful to recall the series of paintings commissioned in 1692 by the banker Francesco Montioni for his palace in Rome (Opere di palazzo Montioni, Rome: link), and which Maratta himself executed with the collaboration of his pupil Franz Werner von Tamm (1658-1724). Again in collaboration with Tamm, Carlo Maratta repeated these compositions for the Marquis Nicolò Maria Pallavicini.

This still life iconography immediately found an echo among Roman collectors, and was therefore replicated and varied on numerous occasions. Among these the 'Garland of flowers with cupids' (Sotheby's, London, 6 July 1994, n. 115), finds correspondences with our painting:

A particularity that makes this work unique is that the panel is also painted on the back with two vertical ornaments with acanthus leaf motifs, which seem to have been carved in the 'trompe l'oeil' style. One could assume their original function as doors for a chamber organ.

Excellent state of conservation.


ADDITIONAL INFORMATION:

The work is sold with a certificate of authenticity and a descriptive iconographic sheet.
We take care of and organize the transport of the purchased works, both for Italy and abroad, through professional and insured carriers.
It is also possible to see the painting in the Riva del Garda gallery, we will be happy to welcome you to show you our collection of works.
Contact us, without obligation, for any additional information.

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Delevery information :

We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers.

We take great care We personally take care of the packaging, to which we devote a great deal of care: each work is carefully packed, first with arti- cle material, then with a custom-made wooden box.

Should you have the desire to see this or other works in person, we would be happy to welcome you to our gallery in Riva del Garda, Viale Giuseppe Canella 18, we are always open by appointment only.

Antichità Castelbarco

CATALOGUE

17th Century Oil Painting Louis XIV