EUR

FR   EN   中文

CONNECTION
Pair Of Winged Cherubs, attributed to Giovanni Battista Merano (1632  - 1698)
Pair Of Winged Cherubs, attributed to Giovanni Battista Merano (1632  - 1698) - Paintings & Drawings Style Louis XIV Pair Of Winged Cherubs, attributed to Giovanni Battista Merano (1632  - 1698) - Pair Of Winged Cherubs, attributed to Giovanni Battista Merano (1632  - 1698) - Louis XIV Antiquités - Pair Of Winged Cherubs, attributed to Giovanni Battista Merano (1632  - 1698)
Ref : 106654
3 800 €
Period :
17th century
Provenance :
Italy
Medium :
Oil on canvas
Dimensions :
l. 30.71 inch X H. 35.04 inch
Paintings & Drawings  - Pair Of Winged Cherubs, attributed to Giovanni Battista Merano (1632  - 1698) 17th century - Pair Of Winged Cherubs, attributed to Giovanni Battista Merano (1632  - 1698) Louis XIV - Pair Of Winged Cherubs, attributed to Giovanni Battista Merano (1632  - 1698) Antiquités - Pair Of Winged Cherubs, attributed to Giovanni Battista Merano (1632  - 1698)
Antichità Castelbarco

Old master paintings


+39 333 2679466
Pair Of Winged Cherubs, attributed to Giovanni Battista Merano (1632 - 1698)

Giovanni Battista Merano (Genoa 1632 - Piacenza 1698) attributed
Pair of winged cherubs with chains

Genoese school, around 1670-80

Oil on canvas, 67 x 57 cm.
Framed 89 x 78 cm.

This pleasant painting, depicting a pair of winged cherubs, is the work of the Genoese Giovan Battista Merano (Genoa 1632 - Piacenza 1698), trained in Genoa first in the workshop of Giovanni Andrea De Ferrari, and then of Valerio Castello, of whom he became one of the best students.

It was probably the latter who advised the student to stay in the then Duchy of Parma to study Correggio and Parmigianino, as he had done in his time. During this first stay in Parma Giovanni Battista worked on the fresco decoration of the oratory of San Giuseppe (1651), making use of the skills already acquired by taking part in the decorative construction sites managed by the Castle.

During the seventies the painter's style came closer and closer to the solutions adopted by his colleague Piola, with whom he often collaborated, and from which he must have drawn inspiration for our putti, a true emblem of the pictorial poetics of the Piolesca workshop, focused on decorative pleasantness of these subjects, intended to replace the classic ideal of beauty with a more delicate and 'capricious' grace.

Our two plump little angels are depicted on their knees, supported on soft clouds, while holding chains in their hands, probably alluding to an allegorical context, presumably related to the concept of fidelity and strength that holds two people together.

The painting, perfectly restored and relined, is in excellent condition. Conservative cleaning performed.

Delevery information :

We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers.

We take great care We personally take care of the packaging, to which we devote a great deal of care: each work is carefully packed, first with arti- cle material, then with a custom-made wooden box.

Should you have the desire to see this or other works in person, we would be happy to welcome you to our gallery in Riva del Garda, Viale Giuseppe Canella 18, we are always open by appointment only.

Antichità Castelbarco

CATALOGUE

17th Century Oil Painting Louis XIV