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Portrait Of Marianne De Cogny, French school of the 18 h century
Portrait Of Marianne De Cogny, French school of the 18 h century - Paintings & Drawings Style Louis XIV Portrait Of Marianne De Cogny, French school of the 18 h century - Portrait Of Marianne De Cogny, French school of the 18 h century - Louis XIV Antiquités - Portrait Of Marianne De Cogny, French school of the 18 h century
Ref : 106339
7 700 €
Period :
18th century
Provenance :
France
Medium :
Oil on canvas
Dimensions :
l. 33.07 inch X H. 40.55 inch
Paintings & Drawings  - Portrait Of Marianne De Cogny, French school of the 18 h century 18th century - Portrait Of Marianne De Cogny, French school of the 18 h century Louis XIV - Portrait Of Marianne De Cogny, French school of the 18 h century Antiquités - Portrait Of Marianne De Cogny, French school of the 18 h century
Antichità Castelbarco

Old master paintings


+39 333 2679466
Portrait Of Marianne De Cogny, French school of the 18 h century

Workshop/Circle of François de Troy (Toulouse 1645 – Paris 1730)
Portrait of a young lady (probably Marianne de Cogny, epouse de Philippe-Emmanuel de Beaufort)

Oil painting on canvas
83×65cm. In period frame 103 x 84 cm.
Provenance: Private collection, Rome

The beautiful painting proposed depicts a young and attractive noblewoman belonging to high society, identifiable in Marianne de Cogny, wife of Count Philippe-Emmanuel de Beaufort

The effigy is dressed in a refined ultramarine blue velvet dress with a wide neckline decorated in gold thread and a draped peach-colored cloak that frames her figure, creating a sense of movement in the image. In her hair, gathered in a free hairstyle on her neck, there is a clip of the same shade as the dress.

The painting, of fine quality, is an excellent example of the type of portrait in vogue in France during the Grand Siècle, between the latter part of the 17th century and the beginning of the 18th century, and can be stylistically traced back to the workshop/circle of François de Troy (Toulouse 1645-Paris 1730) who, together with Hyacinthe Rigaud and Nicolas de Largillière, were among the most influential authors of the genre.

He moved to Paris while still very young, already in 1671 he became a member of the Royal Academy of painting, thanks to the help of his masters Claude Lefebvre and Nicola-Pierre Loir, to then begin a brilliant career as a history painter as well as a portraitist, thus skilled and appreciated that he had to surround himself with a large workshop and other master painters to satisfy the requests of the Parisian nobility.

In 1690, King James of England, in exile near Paris, also made him his first court painter.

A characteristic of this portrait is its beautiful antique 18th century carved and gilded wooden frame decorated with typical rocaille motifs.
Given the age and quality, the frame has a curvature on the back which does not affect the perfect reading of the work from the front.

Delevery information :

We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers.

We take great care We personally take care of the packaging, to which we devote a great deal of care: each work is carefully packed, first with arti- cle material, then with a custom-made wooden box.

Should you have the desire to see this or other works in person, we would be happy to welcome you to our gallery in Riva del Garda, Viale Giuseppe Canella 18, we are always open by appointment only.

Antichità Castelbarco

CATALOGUE

18th Century Oil Painting Louis XIV